I have to talk about my excitement for a minute…

man in red crew neck sweatshirt photography

I’m still learning how to write well. That may not sound like cause for celebration, but I’m more than a little happy about the realization. I’ve struggled with show don’t tell and repetition since I started to write seriously a few years ago. I didn’t even know what showing was back then. Mastering this skill has proven difficult but not impossible.

I belong to a few online writers groups and they have made all the difference in honing my craft. So part of this post is how much genuine joy writing brings me and the other part is how writers groups specifically help me achieve that joy. I re-read the end of my debut novel, Fantastic America this week. Mirth and joy bubbled up in my heart all over again. I did that.

Not long after that I got critiques back from earlier chapters in the same manuscript. One of my mentors in that group went out of her wat to say my craft has improved. I’m far from perfect yet. The important thing for me was recognition from a colleague far ahead of me in the publishing journey, that I was on the right track. I’m improving.

So if you’re struggling with a character’s motivations, working your way out of a plot hole, a just finding a new way to show vs. tell, don’t give up. The struggle is part of the journey, the prize (for me) is on the other side. No one is more qualified than you to free your voice and tell (or show) your story.

Once you’ve beaten that cumbersome distraction from sharing your voice. When someone else reads your work and you know they absolutely get what you meant to convey. Clarity for your voice, and the invented voice of your characters and story makes the struggle (and triumph) worthwhile. You can do it!

Magic is dangerous, and that’s kind of the point…

red and orange solar flare

In the world of Fantastic America, creatures spawned by magic are dangerous too. The only effective way to fight them is with the magic that lead to their creation. Learning to use that magic is also dangerous, and there are no teachers or manuals left from the last magical age. Trial and error increase the dangers, but are the only choice new magic users have to learn the limits of what they can do now.

Expect mistakes, unintended consequences, and casualties from magical experiments. People aren’t likely to know why something has happened, but there is no ignoring magic gone wrong. Buildings, cities, roads, bridges, tunnels, mountains, forests, lakes, rivers, animals, people, and the sea itself respond to magic, experimental or otherwise.

Spells gone awry can affect them all in good or bad ways. Sometimes the effects are reversible, usually not, at least not by the inexperienced. This is one more reason for people to fear and distrust magic in general. Not that most people need an excuse.

Even if books, scrolls, or a teacher existed, finding them, translating them and learning from them would be a Herculean task. Most new magic users are still coming to terms with the changes their powers bring. Enrolling in a magic school is the last thing on their mind. As if staying alive and under the notice of people quickly becoming anti-magic wasn’t enough.

Magic users may be the only hope humanity has against the dangers unleashed on the solstice. But human fear of the unknown may prevent them from saving the world as we know it. Miracles, monsters, and magic only herald the changes coming to an Earth not ready for the calamities that follow magic unleashed.

My favorite memory…

Yes, Dear…

My favorite memory is my wedding day to Brenda. I wasn’t a fan of how the day started or how hot it was for our outdoor ceremony. What I have always felt good about was our reception. One thing my wife and I know how to do is have a good time. Our wedding reception was a great way to show that off as newlyweds.

The ceremony took place on the hottest day so far that year. Pictures afterwards were just as hot and lasted longer than the ceremony. Once the party got underway, all the troubles we’d encountered (the wrong flowers, a burnt cake, and the logistics of an outdoor wedding versus an indoor reception) melted away.

For my tastes, we threw a pretty lavish affair, but that isn’t what made it special. Everyone ate, we had all the toasts, the cake, along with music, a light show, and a dancefloor. Brenda and I shared our first dance, our friends and the wedding party danced for hours in fact. But that wasn’t the best part either.

Sitting in the back of the venue later that night, surrounded by groomsmen, I had a moment of utter contentment. I gestured to the tables full of our friends, Brenda with her bridesmaids, and the people still dancing beyond them. I shared a toast, “This is where it’s at fellas. Friends, family, everyone is happy, everyone is celebrating. If you can find this, hold on to it!”

That was twelve years ago this June. I’ve had many memories before then and since, but that singular moment of contentment will stick with me the rest of my life. Tomorrow isn’t promised to any of us, so make every day count for something. Preferably something good for as many people as possible, but if not, make it something personally important. Something that will stick with you forever.

Create memorable characters…

woman in gray hoodie beside woman in gray hoodie

A story is usually a vehicle for characters to move from a starting point to a life changing end point. The level of detail you bring to the characters, has a major impact on how readers connect to them. Traveling through the most awe inspiring world building without connecting to the characters is no more than a fancy travelogue.

I like to start with the point of view (POV) character. Who will readers experience the world and the story through? This main character is usually my protagonist, so I want the audience to be sympathetic to this character. In Fantastic America, there are three POV characters. Ashley Monahan, the protagonist, Daniel Forrester, the antagonist, and Jerry Farmer, the villain. Each serves a different function, but needs an intimate level of detail.

The process I go through for each of them is the same. I have a rather long form with physical details (height/hair/body type), social details, connections to other characters, likes/dislikes, and room for a biography. I can add to this over time, but it gives me a good general start. A big part of a novel is their personal journey, so some of the details about a character should change over the course of the story.

For main characters especially, I like to find a picture of someone who fits my idea of their look. If I’ve used a real person as inspiration for them, I’ll use a picture of them. When I’ve invented the character from scratch, I use AI face generators that no one else will ever see.

The final layer I add before writing this character into motion is to give them quirks or idiosyncrasies that set them apart. This can be a simple as their body language or as profound as a health issue. Pretty is rarely interesting. So even my characters who are physically attractive have some inherent flaw or problem readers experience from the inside. Some mental falsehood they believe, emotional trauma they relive, or a loss that isn’t visible at all.

Less detail is needed for non-POV characters, but I never write them off entirely. Early in my journey to write the magic unleashed series, I started writing short stories in the same world. I found a need for secondary or supporting characters to go off on adventures without those main characters.

They became main characters of their short stories. I had their bones already, adding flesh using this method was painless, and let me get to the writing that much faster. So for me, any named character gets at least a one line entry in my world building character list.

Out of all the writing advice out there…

opened notebook with silver pen near magnolia

And there is plenty of advice out there. You can find help for just about any situation, any element of style, grammar, voice, or theme. I suppose there are thousands of sites on the interwebs full of contradictory writing business models. Self-publishing versus traditional publishing, even how to blog (I’m probably doing it wrong). All of that advice is pretty meaningless without this.

Write. Sit or stand or use speech to text. If all you do is research, collect advice on how to write, or what to write, or who to write for, none of that will matter. Seems obvious I guess, but I talk to people all the time about writing. Their favorite quote when I tell them I wrote a book? “Oh, I’ve always wanted to write a book!”

I believe every one of them. I think everyone has a story to tell (or show). The problem is, something else always gets in the way. I got in the way of finishing every book I started, until I didn’t. Until I decided I wanted to finish. Then the obstacles melted away, one by one.

So write. Even if you think its trash (maybe it is, maybe it isn’t). You can always edit trash into something less odious. The first draft is for the author to tell themselves the story anyway. Once its on the page, you can finesse the words, delete some words (gasp), or string together new words to make your story sing. None of that happens until you decide to make writing your goal. Five minutes at a time or five days at a time. No one else can slay your dragon, build your empires, or capture your unique voice. Write.

Arcanists are the literal bridge between different kinds of magic…

There are six powerful kinds of magic in the magic unleashed series. Each one taps into godlike powers. They grant abilities that transform ordinary humans into walking (or flying) weapons of mass destruction. Practitioners of these Schools or Spheres of magic can work together, but their spellwork is all but impossible to blend.

Arcanists work with the less powerful ambient magic that ebbs and flows during the bleak times of no magic. Magic users have gone by many names throughout human history, witches, warlocks, magi, and a host of other less-savory titles. These people are bound to the very magic of creation. More women than men are born with arcane affinity.

Through the bleak times, arcanists formed tight knit groups to pass down their heritage from the last magical age. Not all of these traditions survived, or passed down their knowledge intact. Their imperfect understanding of magic has led to many terrible deeds.

Creation is the only means to connect to arcane magic. During the bleak times, destruction is the only means to grasp the smallest sliver of magical power. Human sacrifice tainted some of these traditions. During times of no magic, this is the only reliable means of invoking magic. Which may account for some ritualized murders dating back thousands of years, often couched in religious or blasphemous ideology.

During the bleak times of no magic, many would be arcanists feel the stirring of their power. Without magic, they are unable to realize their full potential. Like all magic users, unfulfilled urges connected to magical power can lead to debilitating mental conditions.

When magic flows into the world, arcanists experience the stirring as a powerful spiritual awakening. By embracing the stirring in their soul, an arcanist can learn to manipulate the practical magic around us all. They are not magical powerhouses like wizards, but they are still potent magic users.

This common or practical magic is less potent than the magic of the Spheres. It is still a potent tool, and the only way to bring other kinds of magic together. They can bind together other kinds of magic in artifacts of great power. Arcane master craftsmen created the most powerful relics of the last magical age.

With the return of magic, many arcanists feel the stirring. Some will still follow the old ways of the bleak times. Others, unconnected to the traditions of those groups will chart a new path. Conflict is inevitable.

Writing is solitary, but it doesn’t have to be!

group of friends hanging out

Granted, the pandemic makes going to your neighborhood coffee shop problematic, but you don’t have to create in a vacuum either. The internet has been a haven for writers for years. There are sites and groups all over that allow us to share our experiences. If there is a group for baby wearing dads who love yoga in public parks, there are surely groups for your particular writing niche.

Depending on your comfort level, you can either lurk in those groups, or really get out there. Sometimes it’s therapeutic to see that others struggle with the same issues. Personally, I like to commiserate when I see someone else dealing with the same thing I am. Or maybe I’ve moved on from that issue but remember well how it felt. Either way, it helps me relate.

For me, the best groups go beyond sharing common problems, or even the solutions we find for those dilemmas. Authors can share their work with each other. I lucked into a great critique group that has helped my craft more than any other single course or group. If you can find a safe place to have your work torn apart and rebuilt, I can’t encourage you to dive in enough.

Another bit of sage advice along the same line, Don’t pigeonhole yourself to your genre. Having people who write the same kind of stories is wonderful, but you’ll learn more reading and critiquing stories different from yours. I find it much easier to see things outside of Fantasy or Science Fiction than I ever expected.

My last point about the goodness of critique groups is not taking the criticism as a personal attack. I’ve been in groups that focus on grammar and mechanics, which you certainly need to master. More important though, are methods of craft and storytelling you won’t get from any other source. None of that should be aimed in such a way that you want to delete your words and stop writing. I came close to that more than once.

Writers can be cantankerous lot when it comes to others work. You either need tough skin to withstand peer reviews, or learn to let that criticism run off your back like the proverbial duck and water. No matter what, don’t let critiques beat you down. It takes time and practice to write well, no matter what your ninth grade English teacher told you. Keep at it. Your story is important, and no one else can tell it (or show it) with your unique voice.

I’d like you to meet, Virginia “Ginny” Allan

cheerful senior woman smiling in backyard

You won’t meet Ginny right away. She’s already passed away by the time we catch up to her husband, Herbert Allan. Even after her death, Ginny has a powerful impact on the world of Fantastic America. She was a force of nature in life, it only seems appropriate that she’d still influence those who knew her.

Our first impression of Ginny comes from Herb and his devotion to Ginny after the fact. That barely scratches the surface of this woman who lied life on her terms, and not those dictated by society. Ginny is a founding member and fierce advocate for Henry Raft’s posthumous League of Raftean Explorers organization.

Her leadership over all things Raftean comes from years of field work between 1957 and 1962. She and her newlywed husband championed Raft’s work in the field of unexplained phenomena. Ginny accompanied Raft on expeditions to Mexico, Central America, and South America before his untimely death. She spearheaded the creation of L.o.R.E.’s national conventions in order to expand the organization and give it academic credibility.

Ginny was president of the League from it’s inception in 1972 until her retirement in 1998. She remained active on convention panels until 2008, due to failing health. Considered one of the foremost authorities on out of place artifacts in Meso-America. Many American universities require reading her papers on Olmec, Toltec, and early Mayan archeological sites.

Ginny’s legacy lives on through her husband, Herbert, their sons, Troy and William “Illium” Allan. Herb has retired from his teaching position at Valparaiso university, but Troy and William are still active archeologists working in different fields of study. Expect to hear more about Ginny in Midwestern Magicians and throughout the rest of The Magic Unleashed series.

Word Count and why it’s important…

assorted books on shelf

Early in writing Fantastic America and the Magic Unleashed series, I struggled with word count. I had no idea what was acceptable or not. What I did know was that the book I’d started had grown exponentially. The word count for the book was already well over 100,000, and I wasn’t anywhere near the halfway mark.

While I tried to figure out what to do about it, I came across a blog post about word count. Imagine my surprise to learn that no publisher in their right mind would take on a 400,000+ word debut monstrosity. Several heart-wrenching edits later, I had a kernel for each of the four books that currently make up the series. Fantastic America hadn’t existed in any form up until then. The ideas I have for the books after the first four were a distant dream at best.

All of that started with word count. There are plenty of articles out there that explain why word count matters so much. Here are a few simple ideas related to word count. Books with longer word counts cost more to print. They take up more room on a shelf in a store. Both of these are reasons for a publisher to pass on your book. For traditional publishing, these reasons alone can stop a book deal.

Here is an even simpler idea. My magnum opus (if I ever write one) will come after years of experience, honing my craft along the way. It will not be my first novel (I hope). So that 400K monster I’d started would have been a mess, unsellable, and likely unreadable. Publishers take a calculated risk with debut authors. Following the genre-specific conventions for debut books is part of that calculation. Exceeding those conventions isn’t just a larger risk it means your book probably isn’t ready for publishing anyway. Some authors can break publishing guidelines, but not with their first book. We have to prove that we can write books that sell before we break the rules.

How Google Earth helps me write…

planet earth

A while back I mentioned maps helping my writing process. When I was younger, I loved pouring over maps. I even covered my walls in maps of places I wanted to visit someday. I still have map books to refer to in a pinch, but that is no longer my go to source.

For years I used MapQuest for planning trips. One day, in the earliest iteration of what would become Fantastic America, I needed a map. For whatever reason, instead of MQ, I stumbled onto Google Earth, and I fell in love right away. I use it extensively in planning, research, and during my writing process.

This isn’t a commercial for the program, but I am going to highlight how I use it. For starters, I can pin locations like a real old fashioned wall map. I can pin point some place in the real world or overlay a location I’ve invented for the story. It even lets me add notes to the pin so I don’t have to remember every detail I had in mind (My memory needs all the help it can get).

Speaking of overlays, I can throw highlighted shapes over the terrain. This has been especially valuable when I had an area of effect to visualize or a large structure that doesn’t exist in the real world. When matched with the topographical features of the terrain overlays are even more helpful.

The Streetview function had been even more useful. With it, I can virtually visit just about any place I need to see at ground level. It drops me into cities, parks, archeological sites and more. Even if the detail isn’t great, I get enough information to search other sources or cobble together a decent impression of the location.

A significant amount of my novels take place in the recent past. Google Earth has me covered! I can look back at many locations at least into the 1980’s with supplemental Landsat or aerial photography. In some cases there is even street level data from earlier Google mapping efforts.

The last feature I’ll mention is the wide variety of pictures, panoramas, and location tags the program hosts for context. Tourists, academics, and professional photographers have plastered high traffic locations with great views of their visits. Businesses, museums, and points of interest have location tags that give me a feel for whole neighborhoods.

Best of all, from my perspective, all of this detail is free. For an author on a budget, or someone who finds travel difficult (me on both accounts), a virtual trip makes the most sense. I don’t know if this will help anyone, but the few times I’ve brought it up around other authors, they found the program extremely useful. I hope you do, too!

Marvel dropped a truth bomb…

cutouts of letters

I’ve been a Marvel comics fan since I’ve been able to turn the pages without tearing them. Certainly before I could read. I’m also a fan of the Marvel Cinematic Universe. Seeing characters and stories brought to life on the silver screen has made me smile more than a few times. WandaVision blew my mind during it’s 9 episode run, and I am writing a blog post for that series too.

What I want to address, and I haven’t seen anyone else comment on this yet, is a scene from the Falcon and the Winter Soldier. This is a full on spoiler alert for episode two. If you haven’t seen it and plan to, skip the rest of this post. With that warning out of the way…

Sam and Bucky visit the first black Captain America, Isaiah Bradley. I won’t go into a lot of details about Isaiah, that could be a whole blog post by itself. I will say that his story is tragic from any perspective and a commentary on how the U.S. Government and military have treated African Americans. The visit does not go well. Sam and Bucky end up arguing in the street (it is intentionally not even much of an argument).

Here comes the truth bomb. While they are (heatedly) talking, Baltimore police show up. A black man and a white man are out in public (peacefully) disagreeing. The police immediately ask the white man if the black man is bothering him. Bucky is outraged (for us) that the cop doesn’t recognize Sam. Then the first cop’s partner whispers their identities in his ear. Credit to the actor, he does a spot on interpretation of a man who realizes his mistake too late.

Neither Sam nor Bucky are fazed by this. They don’t go on a rant about racial profiling or police assumptions about race in community policing. The commentary is all for the audience. We see a rare moment where super-heroics meets a real world scenario that all too often ends in injustice.

The scene is brief and ends with a warrant issued for Bucky. In a full reversal, the white man is arrested. A subtle means of turning the situation on its head. The rest of the episode, I couldn’t help but return to those few seconds. We got to see, through the lens of the main characters, an unexpected scenario of inequality.

Marvel has a history of exploring injustice and inequality in the comics. This may be one of the first times I’ve seen the MCU tackle this subject. Even on the small screen. Even without fight scenes, super powers or explosions, this truth bomb will keep me coming back for more. I only hope I can address injustice and inequality with such nuanced, realistic portrayals.

Familiars don’t work quite the way you might think…

photography of cat at full moon

Some traditions identify familiar spirits who aid witches and warlocks (among others) to practice their craft. Usually, these helpers take the form of an animal. In Europe this was often a black cat. Familiars in Fantastic America and Midwestern Magicians do not follow this pattern exactly.

Familiars in the Magic Unleashed series are people with an affinity to magic but who are unable to perform spellwork. Instead, familiars are inexorably drawn to wizards with whom their affinity aligns. Each school or kind of magic has a ritual to empower familiars. This also links them to the wizard they will serve. Familiars are not slaves, they retain free will, and can break the link to their wizard.

Life wizards create paladins, fierce protectors of life. Aqueous wizards create tritons, fast swimmers of the deep. Earth wizards create beastmasters, who link with and empower animals to aid their cause. Necromancers create minions, cold and dark enforcers. Chaos wizards create hellions, infernally strong disciples of destruction. Sorcerers create apprentices, their electrically charged defenders.

Arcanists use practical magic. They do not create familiars, but they do sometimes adopt a totem animal that embodies characteristics they admire.  The fox for its cunning, the owl for its wisdom, the raven for its intelligence, or the smart and lucky rabbit. These animals are all smaller and hardly menacing but can still outsmart and defeat their adversaries.

There is one other type of familiar that may account for some traditions associating animals with the role of helper. Animals from other realities are, in general, ill suited to life on Earth. Animals stranded here will seek out a wizard attuned to their home, if one is nearby. A wizard can help these animals survive if it is at all possible. In return, the animal can aid the wizard or simply keep them company as an exotic pet.

There aren’t many books I’ve read more than once…

There are plenty of movies I’ve watched dozens of times. Wizard of Oz and It’s a Wonderful Life are probably right up there with Star Wars, Empire and Jedi. Once I’ve read a book, I don’t feel the need to revisit it. I think it has to do with how connected I feel to the book.

They say, “The book is always better than the movie.” That feels true for me because I fill in all the pieces of the story with my imagination. No matter how true to the source material a movie is, a director can’t duplicate the stunning world I can create with my imagination. No actor’s performance, no matter how nuanced can capture the mental images I create when reading a story. It’s not even close.

So I guess, for me at least, I revisit movies to capture some of that magic a book gets right by omission. The author gives a reader enough broad strokes to build the world, and a few specific details for their characters, whatever the story needs to progress. The rest of the story should be in my mind anyway. The stories I love the most let me fill in the rest of the details as I read.

That may mean my Emerald City looks nothing like the movie sets, and my theft of the Enterprise from Spacedock looked nothing like Shatner’s heist. They are tiny vignettes of my imagination, inspired by words on a page. Each book I’ve read (usually only one time) has scenes like that, infinitely more real to me than the best film version. Seeing those scenes come to life on screen is exciting, but the internal scene is always better.

Family is more than shared blood.

sharing cherry tomatoes

Culturally humans tend to gather in ever larger groups. The core of this social arrangement starts with families. Families form clans, who form tribes, who form nations, who the historians tell us go on to found countries and so on. This has been the model for as long as I can remember in every social studies textbook I’ve read.

I don’t especially believe it though. My premise is pretty simple, although I may have some personal bias to believe otherwise. I think people today are pretty much the same as people five thousand years ago. Our science and technology may have changed, but people are still people. We act and react just like our ancestors did.

So here is my argument for families of choice rather than blood relatives as the basis for societies before recorded history. People find others they like and avoid people they don’t like. You can see this in kindergarten classes, college orientations, employees, churches, and even retirement homes. Family remains important of course, but close friends are often just as important.

This isn’t just a modern concept, or one especially true in America. I’ve traveled around the world enough to recognize families of choice when I see them. Life long friends come from all over, not just school chums either; neighbors, co-workers, and fellow hobby enthusiasts qualify here. Humans go out of our way to make connections beyond the family.

In my stories families of choice are implied, I don’t always make a big deal of the social structure, but it’s there. Friends are often the only support a character may have if family is unwilling or unable to provide a shoulder to cry on. This observation came to me from my experiences in life, but it is more real to me for having lived it.

Hiking, a horse, and getting lost in the dark…

photo of forest with fog

I grew up in North Carolina surrounded by tall pine trees. Not far from home, stood what was left if an old growth forest. Wedged between ever expanding subdivisions north of Raleigh, these trees were a remnant of a remnant. The forest remained a pocket of accessible untamed nature. It was a wilderness to explore when my mother and grandmother were tired of me being indoors too long.

On those days, I grabbed a cloth sack, filled it with a water bottle, and whatever my twelve year old mind envisioned I might need. It turned out I had no idea what that meant. I also grabbed a walking stick, a sapling tree, whittled down to a spear shape with a further sharpened tip. I thought I’d be ready for anything.

Setting out was a simple walk to the edge of my neighborhood. The end of a high privacy fence marked the edge of the wilderness. I entered the canopy of trees and sauntered off on my afternoon adventure. This leg of the journey was intimately familiar. I had to pass through this small stand of trees to reach my Aunt Beulah’s home.

Beulah lived alone on land her husband had sharecropped before he died. I’d discovered Beulah’s home on an earlier expedition and spent many afternoons on her front porch talking and laughing with her. Today I decided to strike out for the real forest beyond Beulah’s garden.

I waved at Aunt Beulah as I passed her house, but kept to my mission. A small barn and paddock for a horse lay beyond the sunflower field I had to cross. The horse was usually in the paddock, but today he was gone. A red clay road ended at the barn leading back towards Mount Vernon Church road, the same paved road I lived on. It represented safety and civilization, I turned away from it for my first glimpse of the real woods.

A foot trail led under a canopy far higher than the stand of trees I’d passed earlier. A towering oak tree dominated a clearing just inside the tree line. Beneath that tree stood the horse from the paddock. It had reins dangling from the bit in its mouth, but no saddle or signs of it’s owner. I froze.

Horses were alien to me. I’d ridden a pony a few times at the state fair, but that was nothing like a full grown horse staring at me alone under an old oak tree. It snorted in dismissal, I posed no threat. The horse went back to grazing or whatever it had been doing when I disturbed it. I sighed in relief that it didn’t care a thing about me.

Still, I gave the horse a wide berth while I made a way around the clearing to where the path picked up again. I stepped back into the foliage and resumed my mission.

It was glorious. The path, like an animal trail, but I didn’t know or care about that at the time, led me right where I wanted to go. Deep in the forest and away from humans altogether.

I found a creek that bubbled as it wound through the woods. There were birds and squirrels everywhere. Spider webs caught the sunlight as I wandered deeper into the trees. Wild plants, ferns and flowers reached up to the sky to catch some sunlight too. That light faded by the time I realized I’d long ago left the path I’d followed.

Afternoon became evening, and darkness fell. I lost all sense of direction. The woods that seemed so enchanting in daylight now held menacing shadows. My little bag with the water bottle held nothing to help me. Outthrust roots in the banks of the creek I’d seen could easily have been snakes that terrified me even then. Sounds of birds and unseen wildlife could have been anything at all coming for an easy meal. I panicked. In the dark, I didn’t know where to go.

I learned a few tough life lessons that evening in the woods. Sometimes, you get in over your head. Before you know it, you’re lost and alone. No one else can help you in those moments. When the dark and scary world closes in, you can sit and cry about it, or figure out how to get yourself out of that predicament. I decided to find a way out. The creek, as scary as it might be in the dark, was my deliverer.

I followed the creek to the red-clay road I’d avoided earlier, followed the road back to the pavement of Mount Vernon, then I followed Mouth Vernon back to my neighborhood, and finally walked in my front door. My mother and grandmother had just started to worry that I hadn’t come home yet. I was far more relieved than either of them seemed at the time.

I have a much healthier appreciation of dangerous situations since then. Using self-reliance, I’ve found my way out of more than a few scary circumstances. My brief walk in the dark could have gone horribly wrong. That lesson I learned after the fact. I keep that in mind too.

Why do I blog?

I have several reasons for blogging. Partly to share my writing journey. To share bits and pieces of the stories I’m writing. Maybe even to share a bit of who I am as a person. Mostly though I started this blog to build a group of people who share some of the ideas I do. I weave those ideas into my stories, so the hope (pun intended if you’ve read prior posts) is that you’ll like them too.

Jerry Farmer’s short story is the only preview of the Fantastic America world I’ve made available for download yet. He’s terrible, but my beta readers and critique partners love to hate him. Truth be told, I’m not terribly happy with the cover I put on that story either. At the time I wanted to get something out for people to read. Since it was free, I just ran with what I had. Maybe I’ll revisit that as time goes on.

(I’ll also leave the link to that free download at the end of this post if you haven’t read Bridgewater Bingo.)

I also blog to get clarity for ideas may or may not end up in the stories I write. Just because an idea resonates with, doesn’t mean it’s a great idea for those stories. Sometimes sharing those things helps me focus and make creative decisions that would be harder to do without blogging.

Finally, I have a bit or fun sharing things and seeing people react to what I blog about. My journey from first idea to published page is the recurring theme here. But other ideas make their first appearance here too. Maybe a part of my DJ style lives on in the variety of posts I write. What good would a blog be if it wasn’t fun?

At least I haven’t run out of posts to make. I may reevaluate these daily posts when I’m too busy with deadlines and such. So far, I’ve been able to write, and blog as part of my process. If that changes, I’ll be sure to let you know right here. So stay tuned!

https://fantastic-writer-2554.ck.page/68b9b00627 – Click here to download your free copy of Bridgewater Bingo!

My writing process in 4 ½ stages:

modern computer screens and keyboard in dark room

 My writing process begins with ideas. Usually I ask a what if question. If the story takes place in the same setting as another story, I may explore some other part of that setting, the characters, or how something in that world works. Always there is an underlying idea at work, something that ties it all together.

 Then I fill the sandbox. I throw everything I can think of at the moment into that story. I hope it makes sense as I write it, but I can fix, add, or subtract from it after the sandbox is full. All I have to concentrate on in this stage is putting what’s in my mind on the page. It won’t all stick, and that’s alright too.

 Whatever my word count is for the story, that’s my objective. I may fall short of that goal and have a story. That’s ok too. There are plenty of ways to embellish ideas, rearrange scenes, or whole chapters. The important thing about a rough draft is for me to tell myself the story. The next stage will sort the rest of it out.

 Stage three is where I evaluate what I put on the page. Not every part belongs in every story. I’m still looking at story elements at this point. Does what happens on page one make sense when I reach “The End”? If not I tackle those things first. Once the plot and sequence of events is fleshed out, I have to look at descriptions, dialogue, and characters.

 I can still cut, add, or change things. In fact, some of my best ideas for the story don’t find their way onto the page until I’m here. Details I missed before or that need to change as I edit are on the chopping block again. Word count still matters, so somethings that go are replaced, while others are gone forever. I don’t always delete these though. I have an errata file with deleted sections of whatever I’m working on at the time.

The final and longest stage comes next, actual editing. By this point I’m pretty close to my word count target. At this stage I’m focused on how I wrote each section. This is challenging whether I’ve written a short story or a novel. Every word counts in a short story, there is no room for extraneous ideas, or long paragraphs when a short sentence will do. In a novel there is a lot more room for extra words, but as Strunk & White try to remind me, “Vigorous writing is concise.”

 Editing takes multiple passes, I’ve rewritten the debut manuscript for Fantastic America at least six times since my developmental edit. The story starts and ends the same way, but the chapters in between have all changed several times. Rewriting is writing, and sometimes it’s the only way to get from mediocre writing to exceptional storytelling. Don’t skimp on the editing, but don’t think you have to rewrite every sentence either.

 Once I’ve done what I can, without driving myself insane over the details of the story, I let it sit for a while. Think of this stage as four and a half. Giving myself time to let it go before I give it a last look takes some willpower, but it’s an important part of the process. Authors are too close to their work when it’s fresh on the page. Depending on the deadline I’m facing, I take some time to relax and keep my mind off the pages waiting for me.

I find plenty of things I didn’t notice when I come back, but I try not to be too drastic with any last minute changes.  This is the same writing process for all my fiction, whether it’s a short story, novella, or full length novel. Everyone is different, but this is what’s worked for me so far. I expect my process will evolve over time, but for now, this is it!

3 transcendent quotes and what they mean to me:

 TANSTAAFL ~ Robert Heinlein. This quote appeared in The Moon is a Harsh Mistress, itself an allusion to, “The Sea is a cruel mistress.” The acronym stands for: There ain’t no such thing as a free lunch. The saying is adopted as a national motto by the loonies of Earth’s separatist lunar colonies. Many of the interconnected outposts were penal colonies like Australia in Heinlein’s novel. They band together to declare independence.

 The motto is more than it first appears. Of course there’s always someone or something to pay for lunch (survival, peace, or any other worthy endeavor). It also sums up both the loonies’ determination to live free, and their self-reliance to build a better moon for their children. A lot of the story in the book revolves around changing appreciation for the motto and independence.

 Next I chose: “I must not fear. Fear is the mindkiller. Fear is the little death that brings obliteration. I will face my fear. I will permit it to pass over me and through me. When the fear is gone I will turn the inner eye to see its path. Where the fear has gone will be nothing, only I will remain.” ~ Frank Herbert. I memorized this in high school and found it useful on more than one occasion.

 Herbert created a galaxy sprawling world for the characters in his Dune series. The “Litany Against Fear” quoted above, is a tiny sliver of Paul Atreides training. Paul uses it first to withstand the pain box test administered by Reverend Mother Gaius Helen Mohiam. Threatened by her poisonous Gom Jabbar, Paul recites the litany to endure searing agony. The use of the litany is the first glimpse readers have that Paul possesses will and latent abilities beyond his extensive physical and mental training.

Finally, from one of my favorite fantasy series. “Almost dead yesterday, maybe dead tomorrow, but alive, gloriously alive, today.” ~ Robert Jordan. Mattrim Cauthon, a Two Rivers contemporary and fellow Ta’Veren with Perrin Aybarra, Goldeneyes, and Rand Al’Thor, the bloody Dragon Reborn, dropped this beautiful line. Mat is a trickster, loyal friend, and eternal soldier from the Wheel of Time series. This line sums up the life Mat cherishes against the struggles he knows will come again.

 Mat is a fascinating character. He’s not ultra-powerful like Rand, or an animalistic dream walker like Perrin. He carries so many memories of so many lifetimes he can’t sort them out, and doesn’t bother trying. He likes what he likes, and says what’s on his mind, even if the consequences turn out for the worst. As the Hornsounder, Mat’s guaranteed a place at the Last Battle. Still, no one foresees him leading the forces of the Dragon, or helping Rand and Perrin at Shayol Ghul.

I’d love to hear some of your favorite quotes, feel free to comment and add them!

When did I get serious about writing?

people dancing inside building

I wrote as a hobby for years. Life threw a lot at me, and those parts of my life took priority. Work, relationships, raising my son, helping other people get back on their feet, all of which were noble pursuits were my focus. I adulted, and in the process stifled my creativity by ‘finding time’ here or there to write.

What I didn’t realize at the time is that it was safer for me to ignore the pursuit of full time writing. I couldn’t be judged or critiqued if no one outside my small circle of friends and family ever saw my work. They weren’t writers. They wouldn’t have told me (or known) how much work I had to do to write better.

So what I wanted to write stayed in notebooks. Stories and characters stayed safely tucked away from eyes that could have warned me of the learning curve I had ahead. Eyes that could have told me of the potential I had (still have). I got close to submitting a few times, but nothing came of it and I remained a hobbyist.

A couple of years ago that all changed. I got serious about learning to write for publication, dusted off those notebooks, and made a dedicated effort. Turned out I knew little to nothing about publishing, and writing fiction. More than a few times I thought I’d gone as far as I could. I thought maybe my stories, characters, and settings might never see the light of day. Anyone who knows me can tell you I’m stubborn. I persisted.

I managed a nightclub in the small Iowa town where I live. The bar was only open three nights a week, and I wrote a bit on the other four nights. Then the owner of the bar sold the building, and we closed down. That was the best thing that could’ve happened to me. Not only did I focus on writing full time, I believed in myself and my work.

Writing is still my focus, I’m still learning to write better (I hope I always find ways to improve my craft). I have other writer’s eyes on everything I produce. Feedback directs my revisions of the words I put on the page. The best part though, is that I’m finishing what I started, and improving what I’ve finished. It’s been a long road for me, but I couldn’t be more excited about where I am and the possibilities ahead of me!

2 of my favorite fictional characters:

gray steel chain on orange surface

I chose one of my favorite fictional heroes, and one fictional villain. I chose each of them, because they taught me something specific. You might be surprised at why they made this very short list!

First up, from Robert Jordan’s Wheel of Time series, is the Dragon Reborn, Rand Al’thor. I chose Rand for the hero in this article, though he’s also done some pretty terrible things along the way. Rand had great power thrust on him by the pattern itself. He didn’t choose to be the Dragon, or fight sightblinder in the Last Battle. Rand is also a redhead like me, but that was a bonus point rather than my first consideration.

Ultimately, I chose Rand because his motive is the purest I can believe in. He did the right thing because it was right. Not to rule the world. He didn’t believe in a divine right because of an accident of his birth. Rand had the biggest fight of all time to get ready for, and no time to ask people to help. He forged a united front out of broken and far flung lands to take the field against Shaitan’s army. Rand never intended to lead that force. All he wanted was to end the threat of the Dark One and his Forsaken.

Next up, a villain! I chose Ozymandias, Adrian Alexander Veidt, from Allen Moore’s and Dave Gibbon’s Watchmen. The comics and movie versions are close enough. Adrian could be viewed as an anti-hero. I reject that idea based on the lengths he went to in order to out maneuver Dr. Manhattan. Adrian is the opposite of Rand in almost every way.

He has no powers, but is exceptionally smart, and the pinnacle of human physical fitness. Adrian chose his path to greatness. Although he inherited a large estate from his parents, he gave it to charity. He built a new life for himself without his family’s wealth. As Ozymandias, he gained fame using his abilities to fight crime. Before the Keene Act made masked crime fighting illegal, Adrian retired and monetized his heroic alter ego. This was the source of his fortune rather than inherited wealth.

Adrian’s master plan was to save humanity from destroying itself though nuclear annihilation. His major obstacle was Dr. Manhattan, a being of godlike power who could stop his plan at any time. Adrian used advanced technology, secrecy, murder, and deception to prevent Manhattan from undoing his carefully executed plan for world peace through fear. The ends justified the means for Adrian, and for me, this is why he makes such a great villain.